Heritage Crafts Awards
recognition for master craftspeople and emerging talent
Now closed for nominations
Established in 2012, the annual Heritage Crafts Awards are a range of awards each year which shine a spotlight on those individuals who champion heritage crafts skills and trades.
The Awards celebrate and highlight the traditional living crafts made in the UK that contribute to our national heritage, such as silversmithing, dressmaking and tailoring, upholstery, weaving, leatherworking, metalworking, stained glass, green woodworking, embroidery and similar crafts where there is a significant degree of hand skill at the point of manufacture.
This year, we are delighted to be holding the Winner’s Reception at the prestigious Goldsmiths’ Hall in London on Monday 23 November, in partnership with the Goldsmiths’ Company.
The awards are presented in partnership with supporters the King Charles III Charitable Fund, The Royal Mint, the Maxwell/Hanrahan Foundation, the Goldsmiths’ Company, the Costume Society, the Marsh Charitable Trust, the Leathersellers’ Foundation, the Broderers’ Company, the Society for the Protection of Ancient Buildings, the British Society of Master Glass Painters, Woodsmith, House of Sonnaz, Rose Uniacke, Hiut Denim and Mourne Textiles.
We are indebted to all our partner organisations who provide funding for our unique suite of awards and bursaries specifically for traditional crafts, and who make this possible.
THE 2026 HERITAGE CRAFTS AWARD CATEGORIES ARE:
- Patron’s Award for Endangered Crafts
- England Maker of the Year
- Northern Ireland Maker of the Year
- Scotland Maker of the Year
- Wales Maker of the Year
- Precious Metalworker of the Year
- Fashion Textile Maker of the Year
- Woodworker of the Year
- Emerging Building Craftsperson of the Year
- Emerging Leatherworker of the Year
- Emerging Upholsterer of the Year
- Emerging Weaver of the Year
- Emerging Green Woodworker of the Year
- Emerging Stained Glass Maker of the Year
- Emerging Embroiderer of the Year
- Emerging Metalworker of the Year
- Trainer of the Year
- Trainee of the Year
- Community Catalyst of the Year
- Lifetime Achievement Award
Before nominating yourself or someone else, we encourage you to take time to read through these important links:
- FREQUENTLY ASKED QUESTIONS – please read for useful tips
- NOMINATION QUESTIONS – for your reference
- Watch our Live Q&A Session on grants, awards and bursaries
NOMINATIONS FOR 2026 NOW CLOSED
Video or audio nominations:
Alternatively, you are welcome to submit a video or audio nomination, addressing all the questions in the form – You can download the questions here. The recording ideally needs to be no more than 15 minutes in length, then emailed to Rae at [email protected].
Nominate yourself or someone else
Patron’s Award for Endangered Crafts
England Maker of the Year Award
Northern Ireland Maker of the Year Award
Scotland Maker of the Year Award
Wales Maker of the Year Award
Precious Metalworker of the Year Award
Fashion Textile Maker of the Year Award
Woodworker of the Year Award
Emerging Leatherworker of the Year Award
Emerging Upholsterer of the Year Award
Emerging Weaver of the Year Award
Emerging Green Woodworker of the Year Award
Emerging Stained Glass Maker of the Year Award
Emerging Embroiderer of the Year Award
Emerging Metalworker of the Year Award
Trainer of the Year Award
Lifetime Achievement Award
Community Catalyst of the Year Award
Trainee of the Year Award
Emerging Building Craftsperson of the Year Award
Message from HM The King
“As Patron of the Heritage Crafts Association, I am delighted to endorse this new awards scheme which supports and rewards excellence in the heritage craft sector.
Crafts are such a vital part of our British heritage and I have always been passionately concerned to promote the best aspects of our country’s traditions ― and, equally importantly, to enable these highly specialised skills to be transferred from one generation to the next.
These new awards for heritage craft celebrate excellence across the sector in a variety of ways. They reward those who give so much by volunteering to support the many different crafts, those who pass on their skills, those who wish to improve their craft skills and those who continue to produce great British craft.”
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Over 35 posts we are profiling the recipients of our latest round of training bursaries.
John Allison, from Hertfordshire, has spent over two decades in the British Army and public service and has developed self-taught leatherworking and repair skills. His bursary will fund his place on the Worshipful Company of Saddlers Level 1 programme at @capelmanor and one-to-one training with Jacquie Lawson at the @autointerioracademy.
John’s bursary is supported by the Royal British Legion.
John said: “This bursary means an awful lot to me. It will give me the opportunity to develop the traditional leatherworking and restoration skills I need to turn a long-standing passion for preserving historic objects into a sustainable craft practice and, in time, pass those skills on to others.”
📷 @walsallleatherskillscentre
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Alex Hawes @alexhawes_embroidery, from Surrey, combines fashion, embroidery and costume making. She has a long-term vision to establish a unique costume house that foregrounds embellishment and embroidery, and will mentor future craftspeople. Her bursary will fund an intensive costume making course at the @themanchesterschoolofcostume.
Alex’s bursary is supported by the Capri Holdings Corporate Foundation.
Alex said: “With the support of a Heritage Crafts, I am training as a costume maker at the Manchester School of Costume. This, in addition to my existing practice as a hand-embroidery artist, will give me the confidence and connections to work in the UK film and TV industry as an embellisher/maker.”
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Lee Gordon, from London, is a self-taught maker in vitreous enamelling, metalwork and watch assembly. His bursary will fund a comprehensive training programme in watch dial enamelling and metalwork, including weekly studio tuition with Paul and Tamika Ravn, classes with @janemoorejewellery at @theforgespace, portrait enamelling with Gillie Hoyte Byrom and hand engraving with @handengravers.
Lee’s bursary is supported by the Capri Holdings Corporate Foundation.
Lee said: “This funding turns an endangered craft from something I frequent in borrowed workshops into a practice I can sustain, innovate in and share with others.
“It gives me the chance to innovate and refine ideas that would otherwise stay as rough experiments …and to work in a way that respects the limits and strengths of my mental health whilst keeping an endangered practice alive.”
📷 @lgstudio_
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Jasmine Harper-Jones @jasmineharperjones, from East Sussex, has a background in ceramics and glass and currently works as an FE college art and design technician. Her bursary will fund a series of intensive one-to-one training visits with prestige artist Lee Price at @duchesschina1888 in Stoke-on-Trent, focusing on traditional on-glaze painting, raised paste and enamel jewelling.
Jasmine’s bursary is supported by the Dulverton Trust.
Jasmine said: “I am so pleased and feel very fortunate to have received a Heritage Crafts training bursary. This will enable me to continue working with historical Duchess China 1888 works, in the heart of The Potteries, with Prestige Artist Lee Price. I will be able to combine my painting skills with the craft of onglaze decoration and develop our collaborative work.”
📷 @robertwadephotography
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Matthew James @friend_of_lime, from Swansea, runs Gower Limework and is an SPAB Fellow with experience in heritage plastering and traditional building conservation. His bursary will fund an intensive one-week Level 1 course in lead welding and bossing at the @leadsheettrainingacademy, along with essential leadworking toolkits.
Matthew’s bursary is supported by the @ashley_family_foundation_4321.
Matthew said: “It’s an opportunity to turn working with your hands to the next level… with guidance and practice comes confidence.”
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Henrietta Lawrence Van Pooss @_hlvp, from Kent, has gained extensive volunteering experience in heritage conservation with the National Trust and completed an intensive marble sculpting internship in Athens. Her bursary will contribute towards tuition fees for the two-year combined Level 2 and Level 3 Stonemasonry course at the @buildingcraftscollege in London.
Henrietta’s bursary is supported by the @cityandguildsfoundation.
Henrietta said: “Securing this funding is an exciting and meaningful step in helping me continue my journey into stonemasonry and heritage conservation. Through volunteering, unpaid placements and travelling long distances, I have worked hard to build hands-on experience, and this funding will give me the chance to gain a specialist qualification and progress my career.
"Representation is also so important in heritage craft, and as a woman of Black and mixed heritage entering a traditionally male-dominated field, I hope my journey can help inspire greater visibility and show others that heritage craft is an achievable and rewarding career path.”
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Amar Grewal @amarthemaker, from Middlesex, transitioned into ceramics following a career in hospitality and has spent time volunteering alongside professional potters to develop his making skills. His bursary will contribute towards tuition fees for the two-year Diploma in Ceramics at @claycollegestoke, focusing on production throwing, hand-building, glaze formulation and kiln firing.
Amar’s bursary is supported by the @cityandguildsfoundation.
Amar said: “To be part of the millennia-old ceramics tradition feels like such a privilege and responsibility. With Heritage Crafts and City & Guilds’ support and guidance, I am able to make the most of the full-time training at Clay College Stoke, which will give me the strongest possible foundation for life as a potter.”
📷 @madebytrosh and @todays_tipple
Over 35 posts we are profiling the recipients of our latest round of training bursaries.
Nancy Johnston @upholsterycats, from Kingston-upon-Thames, is a former Welsh Guards musician, oboist and music educator who has developed traditional furniture upholstery skills through adult education classes. Her bursary will fund the first year of @the_amusf Diploma at @shoreditchdesignrooms, covering traditional springing, stuffing and stitching techniques.
Nancy’s bursary is supported by the Royal British Legion.
Nancy said: “The funding from Heritage Crafts means I can complete the training I need to pursue my dream of becoming an upholsterer.”