Categories of risk
The Heritage Crafts Red List
Drawing on the conservation status system used by the International Union for Conservation of Nature Red List and the Rare Breeds Survival Trust Watchlist, Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation.
Extinct in the UK
Crafts classified as ‘extirpated’ or ‘locally extinct’ are those which are no longer practised in the UK. For the purposes of this research, this category only includes crafts which have become extinct in the past generation.
Critically Endangered
Crafts classified as ‘critically endangered’ are those at serious risk of no longer being practised in the UK. They may include crafts with a shrinking base of craftspeople, crafts with limited training opportunities, crafts with low financial viability, or crafts where there is no mechanism to pass on the skills and knowledge.
Endangered
Crafts classified as ‘endangered’ are those which currently have sufficient craftspeople to transmit the craft skills to the next generation, but for which there are serious concerns about their ongoing viability. This may include crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.
Currently Viable Crafts
Crafts classified as ‘currently viable’ are those which are in a healthy state and have sufficient craftspeople to transmit the craft skills to the next generation. They may include crafts with a large market share, widely popular crafts, or crafts with a strong local presence. A classification of ‘currently viable’ does not mean that the craft is risk-free or without issues affecting its future sustainability/viability.
Heritage Crafts Inventory
The 2025 edition of the Red List of Endangered Crafts marks a significant evolution in how we understand and safeguard traditional crafts.
This year, we introduce the Heritage Craft Inventory – a new, inclusive framework that ensures all heritage crafts, regardless of their current status, have a place where they are recognised and valued under one umbrella. This expanded approach allows us to shine a light not only on endangered and critically endangered crafts, but also on those that are resurgent, culturally distinctive, or rooted in specific communities and regions. It reflects the dynamic landscape of craft today – one that is constantly evolving and shaped by both challenges and opportunities.
Culturally distinctive crafts
Crafts designated as ‘culturally distinctive’ might have a broad uptake across the UK, but hold a particular significance for a defined community of practice, whether that is geographic, cultural, ethnic or religious. Those that are also on the Red List are known as ‘crafts in need of cultural safeguarding’.
- Canal art and boat painting (craft for cultural safeguarding)
- Cornish hedging (craft for cultural safeguarding)
- Fair Isle Knitting
- Fair Isle straw back chair making (craft for cultural safeguarding)
- Fairground art (craft for cultural safeguarding)
- Gansey knitting
- Harris tweed weaving
- Islamic calligraphy
- Northern Isles basket making (craft for cultural safeguarding)
- Orkney chair making (craft for cultural safeguarding)
- Petrakivka (craft for cultural safeguarding)
- Pysanky (craft for cultural safeguarding)
- Sgian dubh and dirk making (craft for cultural safeguarding)
- Shetland lace knitting
- Shinty caman making
- Sofrut calligraphy
- Sporran making (craft for cultural safeguarding)
- Thatching (Irish vernacular) (craft for cultural safeguarding)
- Thatching (Scottish vernacular) (craft for cultural safeguarding)
- Thatching (Welsh vernacular) (craft for cultural safeguarding)
- Vardo and living wagon crafts (craft for cultural safeguarding)
- Welsh double cloth weaving (craft for cultural safeguarding)
Resurgent crafts
Crafts designated as ‘resurgent’ are currently experiencing a positive trajectory as a result of an upswing in new entrants. Just because a craft is considered resurgent does not mean that it cannot also be endangered, but rather that its decline has started to reverse and that its situation is likely to continue improving.
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This week’s #mondaymaker is Craig Palmer @spin360shop – a bespoke metal spinning specialist.
Craig has over 28 years of experience in the trade, creating bespoke one-off pieces to larger batch orders for a wide range of people and industries, including for lighting companies in the UK and abroad. Craig’s work can be found in hotels, private residences and Michelin star restaurants across the globe.
View Craig’s full profile on our maker’s directory: https://www.heritagecrafts.org.uk/maker/craigpalmer/
#heritagecrafts #mondaymaker #metalspinning

The BBC reports that Moorcroft Pottery, which stopped trading at the end of April after more than 100 years in business, has been returned to family ownership.
The company has been bought by Will Moorcroft, whose grandfather William Moorcroft built the factory on Sandbach Road in Cobridge in 1913, with support from London department store Liberty.
Mr Moorcroft said he would like to see “as many of the staff as we can bring back” but that he was unable to guarantee all 57 workers would be able to return. He added that they were considering moving production away from the site in Burslem, moving the firm solely to the original factory on Sandbach Road.
https://www.bbc.co.uk/news/articles/cy0jxzn8en8o.amp

Tim Noad @teanoad has been awarded an MBE in the King`s Birthday Honours, in recognition of his international reputation as one of the most accomplished artists and craftspeople working in his field, combining heraldry, calligraphy, design and illustration.
Tim was nominated by Heritage Crafts in 2022, and is likely to be one of a number of nominations for him, having since designed The King’s Royal Cypher and the Stole Royal which His Majesty wore at his coronation.
The charity – which was set up in 2009 to support and champion traditional craft skills – has made 32 previously successful nominations for National Honours since 2013, believing that the vernacular craft skills practised across the UK deserve as much recognition as other popularly-celebrated forms of culture.
Read more via the linktr.ee in our bio.

Congratulations to former Heritage Crafts Patron, Dame Emma Bridgwater! 👏
#Repost @emma_bridgewater with @use.repost
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We’re so proud to share that our Founder, Emma Bridgewater, is to be appointed a Dame for her services to Ceramics. A truly fitting recognition of her vision, immense creativity and years spent championing British pottery. What an honour, and so well deserved. A huge congratulations, Dame Emma!
“I’m honoured and very happy about the award; what a marvellous accolade this is – for the people, and the pottery traditions of Stoke-on-Trent! I feel clear that whilst I receive it, they won it, and they so richly deserve such recognition!
My forty years in the Potteries has been a marvellous and unlikely adventure – I feel privileged indeed to have learned about ceramics from the long suffering, resilient and excellent people of Stoke. The abandonment of our manufacturing power feels to me like a gigantic wasted opportunity whilst the unresolved trauma created in the populations of our post industrial cities stands as a running challenge to us all.”
— Emma

#matchMAKER opportunity!
Sewing apprentice (2 places)
Deadline: 14 July 2025
Senator International in Altham are recruiting for a Sewing Apprentice. The successful candidate will work towards completing a Level 2 Sewing Machinist apprenticeship over the duration of 18 months.
Visit #matchMAKER via the linktr.ee in our bio to find out more.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.

This week’s #craftfocus is passementrie.
Passementerie is the making of elaborate trimmings such as tassels, braids, gold or silver cord, fringing or edgings for clothing or furnishings.
Skills involved in passementerie comprise dyeing, cord-spinning, weaving and tassel-making, which are coordinated to produce mainly bespoke work.
Dyeing – although usually carried out in independent dye workshops, the dyeing of silk yarn to match the furnishing fabrics on which the trimmings are to be mounted is integral to the design of the end product.
Cord-spinning – whereby component parts used in weaving and tassel-making are produced. The cord-spinner produces ropes, cords and gimps which can be immensely complex, and it is this aspect of passementerie which is most at risk, as it can only be learned by watching and following an already skilled craftsperson.
Weaving – bands, braids and fringes of a range of different formations are woven on a ‘trimmings’, ‘ribbon’ or ‘narrow’ loom.
Tassel-making – the making of tassels and tassel tie-backs, usually using a wooden mould in the centre and covered with silk or other threads, and with gimps and bullions made by the cord-spinner, and often made to co-ordinate with the woven trimmings. The tassel-maker, like the weaver, attaches handmade ‘hangers’, ‘drops’ and ‘jasmines’.
Passementerie is classified as endangered on our crafts list. Increasingly, passementerie is manufactured in greater quantities on power machinery by large manufacturers, and in many countries. While there is still a place for handmade pieces, the market is small, with competition between companies.
Training is often done in-house, without any system of qualification or professional recognition. Cord-spinning is considered the most at risk element and many practitioners are reaching retirement age.
Images: Elizabeth Ashdown @ashdowntextiles
#heritagecrafts #craftfocus #passementerie

#matchMAKER opportunity!
Furniture Making Operative Apprentice
Deadline: 16 June 2025
This is a fantastic opportunity to join the team at Collin’s Bespoke, a quality cabinetry making company, which includes designing kitchens and other interiors. Learning valuable skills from specialised craftsmen to lead on to a successful career in the carpentry industry.
For nearly 30 years, Nick Collins has been designing and making bespoke cabinetry. Collins Bespoke was borne from Nick’s passion for bespoke interiors, and is where his craftsmanship has been nurtured, refined and shared. The Collins Bespoke team is an array of skilled crafts-people, mostly trained in-house: from designing, planning and templating; to finishing, assembling and installing.
Visit #matchMAKER via the linktr.ee in our bio to find out more.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.

This week’s #mondaymaker is Kitty Griffiths – a bespoke goldsmith, working with precious metals.
Kitty studied a Metalwork and Jewellery degree at Sheffield Hallam University, where her love for metal began. Kitty works with colourful diamonds and carved gemstones, using traditional but playful stone setting styles to create a free spirited twist on classic fine jewellery. Since graduating in 2013, Kitty has worked within the trade for a number of bespoke jewellers and designers. Honing her skills and knowledge, Kitty has set up her own business and brand, ‘Kitty Griffiths Jewellery’, based in Brighton.
#heritagecrafts #mondaymaker #goldsmithining #jewellerymaking
