Heritage Crafts

Umbrella making

The making of umbrellas and parasols.
ENDANGERED
Status
Endangered
Craft category
Other
Historic area of significance
London, Sheffield and Manchester
Area practiced currently
London, Croydon, Manchester, South Yorkshire
Origin in the UK
17th century
Current No. of professionals (Main income)
1-5 companies in the UK
Current No. of professionals (Side income)
1 company

History

Tradition has it that the Normans brought the umbrella to England with them (presumably some sort of canopy regalia) in 1066, but there is nothing very tangible to support this.

It is often claimed that umbrellas were introduced to England by Jonas Hanway about 1750, but this is definitely not correct. They are mentioned in Gays Trivia, The Art of Walking the Streets of London, published in 1712 and also in the Female Tattler for December 12 1709. But Jonas Hanway was the first Englishman to carry an umbrella regularly. He was pelted by coachmen and chairmen for his persistence, since they saw this craze could endanger there own means of livelihood.

At this time, umbrellas were very heavy, ungainly things made with whalebone or cane ribs, mounted on a long, stout stick of about one inch in diameter and covered with a heavy cotton fabric, waterproofed by oiling or waxing.

By 1787 the umbrella had achieved some considerable measure of popularity within a short period of time and the French ladies umbrellas had achieved remarkable elegance, and on the continent they were used as much as a sunshade as protection from rain. And it is from this period and via the sunshade that umbrellas began to develop into something lighter and more graceful.

Between 1816 and 1820 men’s umbrellas had again reached a weight of over four pounds, but ladies umbrellas continued to be much lighter, weighing less than one pound. This was partly due to the use of finer fabric of silk and by the substitution of light iron stretchers, but, in general, umbrellas in this country, until the middle of the last century, were made with ribs of whalebone for the best quality and of split cane for the cheaper quality. In the late 1800s came the development of steel ribs and frames, and so the modern umbrella was born.

Samuel Fox patented the first viable steel rib in 1847 around the same time that Singer started making sewing machines so the industry was revolutionised by the mid 1800s; no more hand sewing the canopies or heavy whalebone.

Techniques

  • Cutting
  • Machining (sewing)
  • Hand sewing
  • Mounting
  • Wood working
  • Screen printing – for brand umbrellas

Local forms

  • Carriage/doorman’s umbrellas
  • Bookmakers umbrellas
  • Umbrellas for engineering industries
  • Theatre and film prop umbrellas
  • Traditional Ladies and Gents walking umbrellas
  • Fishing umbrellas

Sub-crafts

  • Walking stick makers and handle makers (the people to source and bend the raw woods)

BASE-NRFLK project has plans to initiate a wide range of crafts at its Norfolk Sites. Making umbrella handles out of wood and other materials, to support a wider bespoke umbrella manufacturing workshop, is a contemporary aspiration.

Issues affecting the viability

  • Difficulty in sourcing raw materials
  • Overseas competition and a shrinking skill base due to the majority of umbrellas making being outsourced to the Far East
  • Difficulty in finding staff with knowledge and skills of umbrella making
  • There are no external training opportunities for umbrella making with the exception of sewing machining and fabric cutting.
  • High barriers to entry – i.e. industry specific machinery no longer available, high minimum order quantities requiring significant stock/working capital investment and no trained staff available outside the traditional umbrella making companies.
  • The dependency on allied industries for components and raw materials.
  • There are some concerns that Brexit may also have an impact on the supply chain and the sourcing of raw materials that are imported from Europe.

Support organisations

  • UK Fashion and Textile Association (UKFT) – supports the fashion industry, not specifically umbrella manufacturing.

There used to be The Umbrella Federation, which disbanded in the early 70s after members started offshoring. The organisation had been lobbying for additional tariffs on cheap imports but to no avail and as such trust between members was lost and it closed.

Craftspeople currently known

Makers that use traditional techniques that would have been recognised 50+ years ago. i.e. using lockstitch by skilled sewing machinists and hand sewn embellishments.

Makers that use assembly techniques designed for mass production. i.e. using overlocking by semi-skilled machinists:

  • The Umbrella Company
  • Booth Brothers

Individual makers:

Other information

BASE-NRFLK Project

North Norfolk was the site for umbrella making (Briggs and Rain Gear) until 2019. A small cohort with the skills and technical know how to make umbrellas is still working in allied crafts on factory site or in the immediate area. This will aid rebooting of Umbrella making and teaching passing on off skills to next generation. BASE-NRFLK will aim to supply silk for a sustainable umbrella making outfit on site by supplying workshops with in-house woven silk for panels. Reshoring a mixture of crafts and high-quality manufacturing is at the heart of BASE project. Offshored umbrella making is a particular realistic product-making practice to be returned to UK workshops. The project has a comprehensive range of standard stock materials and construction components on-site to restart Umbrella production in near future.

References

  • Fox Umbrellas, History of the Umbrella
  • Quilter Cheviot Presents Fox Umbrellas
  • Umbrella Frames 1848 – 1948, a centenary celebration by Samuel Fox Ltd
  • Crawford (1970) The History of the Umbrella
  • The Bag, Portmanteau and Umbrella Trader, trade journal published 1907-21.
  • Sangster (1871) Umbrellas and their History

Red List reviewers 2025

Our thanks go to our 2025 reviewers:

  • Richard Ince
  • Steve Smith BASE-NRFLK

We consult with a wide range of practitioners and organisations to review and update the Red List. Some choose to remain anonymous but all feedback is taken into account.

If you would like to suggest any changes or additions to this page please contact us here

National Lottery Heritage Fund
Swire Charitable Trust
The Royal Mint
Pilgrim Trust
Maxwell/Hanrahan Foundation
Hugo Burge Foundation

Craft inspiration direct to your inbox

Become a Heritage Crafts Fan and receive a free monthly newsletter about craft announcements, events and opportunities.

Subscribe