Heritage Crafts

Marionette making

The making of traditional wood and string marionette puppets.
ENDANGERED
Status
Endangered
Craft category
Wood
Historic area of significance
String puppets have historical significance across the world and dating back to ancient civilisations, including those of India, China, Greece and Egypt. They become widely used in Europe in the Middle Ages.
Area practiced currently
London, Wales, Norwich
Origin in the UK
There is evidence of puppetry taking place in the UK from the 1400s.
Current No. of professionals (Main income)
1-5
Current No. of professionals (Side income)
6-10 *50 members of PuppeteerUK describe themselves as having skills in Marionettes, but it is likely that these are mainly operators not makers
Current No. of trainees
11-20 (11 makers have completed the marionette carving course at Little Angel Theatre in 2024/5 supported by the Heritage Crafts Endangered Craft Fund)
Current total No. of serious amateur makers
11-20
Current No. of leisure makers
50-100 (estimate)

History

String puppets have a rich and ancient history that traces back thousands of years. Their origins are believed to lie in ancient civilizations such as Egypt, India, and Greece, where figures manipulated by strings or rods were used in religious rituals, storytelling, and entertainment. In ancient India, for example, shadow and string puppetry were integral to transmitting moral and spiritual tales, while in Egypt, wooden figures with jointed limbs have been discovered in tombs, suggesting ceremonial or performative uses. The Greeks and later the Romans developed more sophisticated forms of puppetry, incorporating articulated limbs and simple string mechanisms. By the Middle Ages, marionettes had become popular across Europe, particularly in Italy and France.

There is evidence of puppetry originally taking place in the UK around 600 years ago in the 1400s. The earliest recorded puppet show took place at Bartholomew Fair around 1600. In the 1700s, there are records of Italians travelling in the UK and performing with puppets, mostly likely marionettes (string puppets).

In the Victorian era, marionettes were a popular form of entertainment for adults and children in England. There were many puppet theaters in England in the 19th century, including 29 in London alone. However, by the 1860s, permanent marionette shows were no longer popular, and traveling shows became more common. Traveling troupes were world-famous and performed shortened versions of popular entertainment, such as melodramas, pantomimes, minstrel shows, and music hall.

More recently the tradition was continued with John Wright Marionettes (1952 in South Africa, then in Hampstead London by 1957) who then founded the Little Angel Theatre by the late John Wright and his wife Lyndie in 1961. Marionette making is still vibrant in Europe, particularly Germany.

There are five remaining theatres in the UK with specially designed marionette bridges:

  • The Harlequin (Britain’s First Permanent Puppet Theatre) – Colwyn Bay, N. Wales. Opened 1958. Currently closed for restoration.
  • The Puppet Theatre Barge, London – is one of the only remaining theatres dedicated primarily to string puppets / marionettes.
  • The Norwich Puppet Theatre, Norfolk
  • The Little Angel Theatre, London
  • Upfront Theatre, Penrith
  • Purves Puppets

Most string puppet makers are associated with puppet theatres.

 

Techniques

  • Drafting and designing
  • Wood carving
  • Joint making
  • Treating and finishing
  • Marionette control design
  • Stringing

Sub-crafts

  • Ornamental wood carving
  • Puppet making

Issues affecting the viability

  • Training and recruitment issues: Lack of professional training opportunities; lack of opportunities to practice as there is a limited number of productions; few remaining teachers / practitioners.
  • Demand issues: Marionette shows largely require 3-6 performers as a minimum and require specific staging. Many producers and theatres will only be able to programme 2-person shows due to lack of funding / rising overheads. So the skills in making marionettes are not as in demand as in the past. There remains, however, a demand from the public to see marionette shows.
  • Small business issues: These reflect the general challenges to funding within the arts sector
  • Ageing workforce: The remaining experts / teachers are all ageing and/or semi-retired.
  • Global and geopolitical issues: Challenges to UK artists to travel with shows due to Brexit and having to transport specialist equipment.

Support organisations

Training organisations

There are no accredited training opportunities specifically in marionette making.

Short courses

The following offer short courses and other opportunities to learn marionette making skills:

  • Little Angel Theatre – offers a termly 5-day course in marionette making and carving
  • Curious School of Puppetry – covers some marionette performance skills, however not making.
  • John Roberts – Puppet Craft UK – marionette carving courses
  • Puppets in Prague School – online courses in marionette making

Degrees and postgraduate study

Whilst there are no degrees that are specifically in marionette making, there are some that include an element of puppet making.

  • UAL: Wimbledon College of the Arts offer a postgraduate course MA Puppetry
  • Royal Central School of Speech and Drama are no longer offering a BA in Puppetry but an MA course is currently under development (2023).

Craftspeople currently known

International makers

Other information

There are various collections of historic marionettes in the UK:

  • British Museum collection
  • Horniman Museum collection
  • National Puppetry Archive
  • V&A puppet archive

References

  • Ysenda Maxtone Graham, writing for The Spectator, Dec 17 2022, The puppetry renaissance: But the most enchanting and emotionally engaging kind of puppet of all, the marionette, is still critically endangered
  • Carve a marionette by John Roberts
  • John McCormick, The Victorian Marionette Theatre, 2004
  • Max Von Boehn, A Photographic Guide to Marionettes in the Nineteenth Century, 2011
  • George Speaight, History of the English Puppet Theatre, 1990
  • Ken Barnard, Life and Travels of Richard Barnard – Marionette Proprietor, 1981

Red List reviewers 2025

Our thanks go to our 2025 reviewers:

  • John Roberts, PuppetCraft
  • Oliver Hymans, Little Angel Theatre
  • Stan Middleton

We consult with a wide range of practitioners and organisations to review and update the Red List. Some choose to remain anonymous but all feedback is taken into account.

If you would like to suggest any changes or additions to this page please contact us here

National Lottery Heritage Fund
Swire Charitable Trust
The Royal Mint
Pilgrim Trust
Maxwell/Hanrahan Foundation
Hugo Burge Foundation

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