Craft status
The Heritage Crafts Red List
Drawing on the conservation status system used by the International Union for Conservation of Nature Red List and the Rare Breeds Survival Trust Watchlist, Heritage Crafts uses a system of four categories of risk to assess the viability of heritage crafts. A heritage craft is considered to be viable if there are sufficient craftspeople to transmit the craft skills to the next generation.
Extinct in the UK
Crafts classified as ‘extirpated’ or ‘locally extinct’ are those which are no longer practised in the UK. For the purposes of this research, this category only includes crafts which have become extinct in the past generation.
Critically Endangered
Crafts classified as ‘critically endangered’ are those at serious risk of no longer being practised in the UK. They may include crafts with a shrinking base of craftspeople, crafts with limited training opportunities, crafts with low financial viability, or crafts where there is no mechanism to pass on the skills and knowledge.
Endangered
Crafts classified as ‘endangered’ are those which currently have sufficient craftspeople to transmit the craft skills to the next generation, but for which there are serious concerns about their ongoing viability. This may include crafts with a shrinking market share, an ageing demographic or crafts with a declining number of practitioners.
Currently Viable Crafts
Crafts classified as ‘currently viable’ are those which are in a healthy state and have sufficient craftspeople to transmit the craft skills to the next generation. They may include crafts with a large market share, widely popular crafts, or crafts with a strong local presence. A classification of ‘currently viable’ does not mean that the craft is risk-free or without issues affecting its future sustainability/viability.
Heritage Crafts Inventory
The 2025 edition of the Red List of Endangered Crafts marks a significant evolution in how we understand and safeguard traditional crafts.
This year, we introduce the Heritage Craft Inventory – a new, inclusive framework that ensures all heritage crafts, regardless of their current status, have a place where they are recognised and valued under one umbrella. This expanded approach allows us to shine a light not only on endangered and critically endangered crafts, but also on those that are resurgent, culturally distinctive, or rooted in specific communities and regions. It reflects the dynamic landscape of craft today – one that is constantly evolving and shaped by both challenges and opportunities.
Culturally distinctive crafts
Crafts designated as ‘culturally distinctive’ might have a broad uptake across the UK, but hold a particular significance for a defined community of practice, whether that is geographic, cultural, ethnic or religious. Those that are also on the Red List are known as ‘crafts in need of cultural safeguarding’.
- Canal art and boat painting (craft for cultural safeguarding)
- Cornish hedging (craft for cultural safeguarding)
- Fair Isle Knitting
- Fair Isle straw back chair making (craft for cultural safeguarding)
- Fairground art (craft for cultural safeguarding)
- Gansey knitting
- Harris tweed weaving
- Islamic calligraphy
- Northern Isles basket making (craft for cultural safeguarding)
- Orkney chair making (craft for cultural safeguarding)
- Petrakivka (craft for cultural safeguarding)
- Pysanky (craft for cultural safeguarding)
- Sgian dubh and dirk making (craft for cultural safeguarding)
- Shetland lace knitting
- Shinty caman making
- Sofrut calligraphy
- Sporran making (craft for cultural safeguarding)
- Thatching (Irish vernacular) (craft for cultural safeguarding)
- Thatching (Scottish vernacular) (craft for cultural safeguarding)
- Thatching (Welsh vernacular) (craft for cultural safeguarding)
- Vardo and living wagon crafts (craft for cultural safeguarding)
- Welsh double cloth weaving (craft for cultural safeguarding)
Resurgent crafts
Crafts designated as ‘resurgent’ are currently experiencing a positive trajectory as a result of an upswing in new entrants. Just because a craft is considered resurgent does not mean that it cannot also be endangered, but rather that its decline has started to reverse and that its situation is likely to continue improving.
Latest Red List stories
Craft skills remain under threat with 20 new additions to the Red List of Endangered Crafts
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Craft skills under threat with 17 additions to the Red List of Endangered Crafts
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#matchMAKER opportunity!
Trainee Memorial Mason
Location: Stockton-On-Tees
Stockton Memorials is seeking a trainee memorial mason to join their skilled and compassionate team. This is an excellent opportunity for someone who is looking to learn a traditional craft and build a meaningful career in memorial masonry. You will be trained in all aspects of memorial masonry including stone cutting, lettering, engraving, and installation of headstones and monuments.
Responsibilities:
-Assist in the preparation, carving, and finishing of memorials.
-Learn to use hand tools and machinery for stonework.
-Help with installations at cemeteries and other memorial sites.
-Maintain a clean and safe working environment.
-Handle materials and equipment responsibly and respectfully.
-Liaise respectfully with clients during sensitive times.
-Follow company procedures and health & safety regulations
Find out how to apply at https://heritagecrafts.org.uk/matchmaker
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
Heritage Crafts and the @worshipfulcordwainers have launched new training bursaries for new or early-career practitioners in shoe and boot making. The successful applicants will benefit from up to £4,000 in funding, as well as one-to-one support from the staff at Heritage Crafts.
The bursaries are provided to help cover or subsidise the cost of training for a new entrant or early-career practitioner who would otherwise be prevented from pursuing this career path as a result of the cost.
Applications for this bursary can include hand-stitched shoe and/or boot making.
The shoe and boot making bursaries sit alongside others in fashion textiles and costume (supported by the Costume Society), leatherworking (supported by the Leathersellers’ Foundation), saddlery (supported by the Sadder’s Company), stained glass (supported by the British Society of Master Glass Painters), maritime rope and twine crafts (supported by the International guild of Knot Tyers) and building crafts in Northern Ireland (supported by CITBNI). Additional bursaries for other crafts will open in April.
To find out more including how to apply (deadline 20 March) follow the linktr.ee in our bio.
📷 2025 bursary recipient Eleni Kai.
This week’s #mondaymaker is Aaron Mighty @aaron.mighty.design – a material researcher and furniture maker.
Based in South East London, Aaron’s practice explores how traditional values can be expressed through heritage-driven design, creating bespoke furniture from British wood, bridging sculpture and function. Aaron selects materials carefully to support the conservation efforts of a local nature reserve, using their variety of available wood species.
View Aaron’s full profile on our maker’s directory: https://heritagecrafts.org.uk/maker/aaron-mighty/
#heritagecrafts #mondaymaker #furnituremaking #woodworking
Heritage Crafts and the @saddlerscompany.saddlershall have launched new training bursaries for new or early-career practitioners in saddlery. The successful applicants will benefit from up to £4,000 in funding, as well as one-to-one support from the staff at Heritage Crafts.
The bursaries are provided to help cover or subsidise the cost of training for a new entrant or early-career practitioner who would otherwise be prevented from pursuing this career path as a result of the cost.
Applications for this bursary can include saddle making, side saddle making, bridle making, harness making and collar making.
The saddlery bursaries sit alongside others in fashion textiles and costume (supported by the Costume Society), leatherworking (supported by the Leathersellers’ Foundation), shoe making (supported by the Cordwainers’ Company), stained glass (supported by the British Society of Master Glass Painters), maritime rope and twine crafts (supported by the International guild of Knot Tyers) and building crafts in Northern Ireland (supported by CITBNI). Additional bursaries for other crafts will open in April.
To find out more including how to apply (deadline 20 March) follow the linktr.ee in our bio.
📷 2016 QEST / Heritage Crafts bursary recipient Coralie Chung.
Heritage Crafts and the British Society of Master Glass Painters @bsmgp have launched a new training bursary for a new or early-career practitioner in stained glass. The successful applicants will benefit from up to £4,000 in funding, as well as one-to-one support from the staff at Heritage Crafts.
The bursaries are provided to help cover or subsidise the cost of training for a new entrant or early-career practitioner who would otherwise be prevented from pursuing this career path as a result of the cost.
Stained glass crafts include stained glass window making, glass painting within a stained glass context, and/or stained glass conservation.
The stained glass bursaries sit alongside others in fashion textiles and costume (supported by the Costume Society), leatherworking (supported by the Leathersellers’ Foundation), saddlery (supported by the Saddlers’ Company), shoe making (supported by the Cordwainers’ Company), maritime rope and twine crafts (supported by the International guild of Knot Tyers) and building crafts in Northern Ireland (supported by CITBNI). Additional bursaries for other crafts will open in April.
To find out more including how to apply (deadline 20 March) follow the linktr.ee in our bio.
📷 2025 recipient @kerriehanna by @katedonaldsonphotography
Heritage Crafts and the @theleathersellers have launched new training bursaries for new or early-career practitioners in leatherworking. The successful applicants will benefit from up to £4,000 in funding, as well as one-to-one support from the staff at Heritage Crafts.
The bursaries are provided to help cover or subsidise the cost of training for a new entrant or early-career practitioner who would otherwise be prevented from pursuing this career path as a result of the cost.
Leatherworking crafts are those which feature leather as a primary material. They can include but are not limited to saddlery, shoemaking, harness making, tanning, fashion, accessory making, and so on.
The leatherworking bursaries sit alongside others in fashion textiles and costume (supported by the Costume Society), saddlery (supported by the Saddlers’ Company), shoe making (supported by the Cordwainers’ Company), stained glass (supported by the British Society of Master Glass Painters), maritime rope and twine crafts (supported by the International guild of Knot Tyers) and building crafts in Northern Ireland (supported by CITBNI). Additional bursaries for other crafts will open in April.
To find out more including how to apply (deadline 20 March) follow the linktr.ee in our bio.
📷 2025 recipient @amarpatelstudios
#matchMAKER opportunity!
Rush weaver
Location: Bedfordshire
Rush Matters is seeking a part-time rush weaver to join their team, working 3 days per week. The position involves plaiting, sewing rush floor matting, squaring and binding rugs. In the summer, you will also be involved in the rush harvest, unloading bolts on the farm and turning them everyday. No previous experience is necessary.
Find out how to apply at https://heritagecrafts.org.uk/matchmaker.
#matchMAKER is the online platform for work-based training and entry-level employment opportunities hosted by @heritagecrafts and supported by @soanebritain.
Heritage Crafts and the @costume_society have launched new training bursaries for new or early-career practitioners in fashion textiles and costume making. The successful applicants will benefit from up to £4,000 in funding, as well as one-to-one support from the staff at Heritage Crafts.
The bursaries are provided to help cover or subsidise the cost of training for a new entrant or early-career practitioner who would otherwise be prevented from pursuing this career path as a result of the cost.
Fashion textile crafts can include, but are not limited to, dressmaking, tailoring, pattern cutting, hat making, millinery, glovemaking, fabric pleating, corsetry, and so on. Costume making can include garments and accessories made for theatre, film, television, musical performance, historical re-production, role play and so on.
The fashion textiles and costume making bursaries sit alongside others in leatherworking (supported by the Leathersellers’ Foundation), saddlery (supported by the Saddlers’ Company), shoe making (supported by the Cordwainers’ Company), stained glass (supported by the British Society of Master Glass Painters), maritime rope and twine crafts (supported by the International guild of Knot Tyers) and building crafts in Northern Ireland (supported by CITBNI). Additional bursaries for other crafts will open in April.
To find out more including how to apply (deadline 20 March) follow the linktr.ee in our bio.
📷 2025 recipient @megan.eleanor.graham
